ARTWARE SELECTS

The charming PupCup whirls, twirls and spins about to the delight of all it passes. Combining the iconic images of Yoshitomo Nara's Lonesome Puppy (Dog From Your Childhood) and The Cup Kids, the PupCup's head and body rotate in opposites directions creating a remarkable kinetic object. Requires two AA batteries.

This beautiful, hand-tufted, 100% wool rug is adapted from the 1951 oil on masonite painting by Josef Albers. The rug is available in a limited edition of 150 and produced in association with the Josef and Anni Albers Foundation.

Produced in collaboration with Pendleton Mills, this limited edition blanket designed by Mickalene Thomas is the first in a series of four blankets the artist has designed exclusively for Artware Editions. Each design will feature a different female model with intricate braiding and other bold details that present a strong, graphic image. The reverse side of the blanket shows the same design in negative giving the blanket two distinct looks.

The blanket is a soft blend of wool and cotton and is perfect as a throw, a bed covering for a full or queen sized bed, or a wall hanging. A sewn-on, suede patch signed and numbered by the artist accompanies each blanket.

The Lena blanket was released in 2014 and has been featured in Elle Decor and Casa Vogue.

This hand-tufted wool rug by Anni Albers is based on the 1926 cotton and silk original, now part of the Museum of Modern Art's permanent collection. This timeless design is limited to 150 examples, and features rich colors like mustard, tomato and battleship grey, that weave together in a chic, latticed design.

Jeff Koons's "Split Rocker Snow Globe" was produced in 2000 by Galerie Jerome du Noirmont, France on the occasion of the exhibition "Le Beaute, Avignon." This limited edition resin and plexiglass snow globe features a brightly colored, miniature replica of the original "Split Rocker" topiary in front of the Fondation Beyeler. Edition information and artist's name are printed on the bottom of the snow globe, and the original packaging is in tact.

This beautiful, hand-tufted, 100% wool rug is adapted from the 1951 oil on masonite painting by Josef Albers. The rug is available in a limited edition of 150 and produced in association with the Josef and Anni Albers Foundation.

To celebrate Bernardaud's 150th anniversary, Jeff Koons made a series of beautiful, limited edition porcelain objects with the famed porcelain maker in Limoges, France. The collection includes a vase, a serving platter, decorative plates, dinner plates, and cup/saucer sets. All of the objects are packaged in presentation boxes and crafted from the same fine, glazed porcelain. The dinnerware is dishwasher safe but, not microwaveable.

Our partners at The Skateroom, who collaborated with the artist's estate to make this edition, donate a significant part of their profit to support social initiatives that make the world a better place. 

Cindy Sherman has created this Limoges porcelain 21-piece tea service in a limited edition after the original design commissioned by the MADAME DE POMPADOUR (née Poisson) in 1756 at the Manufacture Royale de Sevres.

The self-portrait image of the artist as Madame de Pompadour has been transferred onto porcelain through a complex process which requires up to 16 photo-silkscreens. Each piece is silk-screened and painted at Ancienne Manufacture Royale, then individually signed and numbered.

This service is available in four traditional 18th-century colors: apple green, rose. royal blue and yellow. Each color is in an edition of 75.

This beautiful, hand-tufted, 100% wool rug is adapted from the 1951 oil on masonite painting by Josef Albers. The rug is available in a limited edition of 150 and produced in association with the Josef and Anni Albers Foundation.

To celebrate Bernardaud's 150th anniversary, Jeff Koons made a series of beautiful, limited edition porcelain objects with the famed porcelain maker in Limoges, France. The collection includes a vase, a serving platter, decorative plates, dinner plates, and cup/saucer sets. All of the objects are packaged in presentation boxes and crafted from the same fine, glazed porcelain. The dinnerware is dishwasher safe but, not microwaveable.

A limited number of this exceptional pop-up book remain available and the price will increase as the edition sells out.  

Kara Walker created this pop-up book in 1997.  In it, she combines a narrative written in her own baroque style with her signature silhouette images. Initially conceived for the Peter Norton Family Christmas Project, this book is an excellent example of an artist successfully translating his/her visual vocabulary into a functional work while maintaining the essence of their oeuvre.

Kara Walker was born in Stockton, California and raised in Stone Mountain, Georgia. The youngest child of a college professor/painter and a banker, she received her formal art education at the Rhode Island School of Design. Walker gained early fame for her large-scale works of precisely drawn black-paper silhouette dramas caricaturing the lives of slaves and masters in the Antebellum American South.

To celebrate Bernardaud's 150th anniversary, Jeff Koons made a series of beautiful, limited edition porcelain objects with the famed porcelain maker in Limoges, France. The collection includes a vase, a serving platter, decorative plates, dinner plates, and cup/saucer sets. All of the objects are packaged in presentation boxes and crafted from the same fine, glazed porcelain. The dinnerware is dishwasher safe but, not microwaveable.

Our partners at The Skateroom, who collaborated with the artist's estate to make this edition, donate a significant part of their profit to support social initiatives that make the world a better place.  For each edition sold, these proceeds will be donated to support the Robert Rauschenberg Foundation and Skateistan, a non-profit that uses skateboarding and education for youth empowerment in Afghanistan, Cambodia and South Africa.

Created in 2003, the "Mirror Box (Kangaroo)" by Jeff Koons includes the blue kangaroo mirror, the DVD "Jeff Koons / A Man of Trust," (documentary by Judit Kele and Patrick Javault, 2002) and the custom, silver box. Each example from the edition of 2,000 is signed, dated and numbered.

With Landscape Mobile, Roy Lichstenstein has designed a beautiful “art system” as a table centerpiece. Invoking Alexander Calder’s standing mobiles, Lichtenstein termed this piece a “stabile", but it is in fact a non-moving object representing a tall tree set in a green basin intended to be filled with flowers. To create a sense of moveable, balancing parts, Lichtenstein added an abstracted background of clouds, rain, and a bright yellow sun. This porcelain and cast resin stabile can be viewed from all four sides and its thin profile makes it an ideal and unobtrusive centerpiece.

Manufactured by Bernardaud in Limoges, France. The edition of 125 is signed and numbered.

Manufactured in Limoges by Bernardaud, each buffet plate from this set has been cut in half and relating to the artist’s classical works of sliced violins, cellos, and other objects.

Each plate is signed and numbered and manufacture in Limoges by Bernaurdaud. Originally available in all white, and cobalt blue and white.

Petite Vénus Bleue (1956/57) by Yves Klein features a brass pin covered in International Klein Bleue (IKB) pigment and shaped as one of Klein's Vénus Bleue figures. The pin is mounted perpendicularly to a gold-leafed, acrylic backdrop that attaches to a gold-leafed acrylic base. The acrylic box that encloses the object removes completely and is not attached to the base.

This work is from an edition of 100 artist proofs and each example features the etched edition number on the back of the pin. The multiple was published by his estate under T.A.T Arts & Stéphane Klein with whom we work directly.

The dimensions with the box are 4 13/16 x 3 3/8 x 3 3/8 inches.

The dimensions without the base are 4 9/16 x 3 3/8 x 3 3/8 inches.

The pin is approximately 2 1/4 x 1 x 3/16 inches.

Cindy Sherman has created this Limoges porcelain dinner service in a limited edition after the original design commissioned by Madame de Pompadour (née Poisson) in 1756 at the Manufacture Royale de Sevres.

The self-portrait image of the artist as Madame de Pompadour has been transferred onto porcelain through a complex process which requires up to 16 photo-silkscreens. Each dinner plate is silk-screened and painted at Ancienne Manufacture Royale.

This dinner service is available in four traditional 18th - century colors: apple green, rose, royal blue, and yellow (sold out). Each color is in an edition of 75.

We are pleased to offer the Keith Haring Case Study Furniture® chair by Modernica. Great as a side chair, dining chair or desk chair this versatile and functional chair is ready for a lot of use.  The Fiberglass Shell Chairs were originally designed in 1948 as an entry in The Museum of Modern Art’s International Design Competition and are easily one of the most important and recognizable designs of the twentieth century. Each fiberglass shell is created by hand, one-by-one, in Modernica’s Los Angeles factory. 

Jeff Koons playfully tests the boundaries of commerce, celebrity, banality and pleasure. In his hands even the most familiar, everyday items transcend commonality to become true icons that manifest the essence of American popular culture.

Balloon Dog is a very optimistic piece, it is a balloon that a clown would have maybe twist for you at a birthday party.  But at the same time there's the profoundness of an archaic sculpture.  The piece has an interior life while the reflective exterior surface affirms the viewer through their reflection.  - Jeff Koons

Balloon Dog (Orange) is a limited edition work that references Koons's iconic, monumental sculpture of the same name from his highly acclaimed Celebration Series (1994) which includes five colored sculptures in red, magenta, blue, orange and yellow. The series evolved from his desire to recreate the ecstatic experiences of a child's enjoyment of the world through universal signifiers representing birthday parties and festive events.

This example of Jeff Koon's Puppy vase is brand new and in its original box. Incised signature, date and number to underside: [Koons '98 2807/3000]. Signed with impressed manufacturer's mark to underside: [Art of this Century]. The work was produced at Villari in Italy in 1998 and is authorized by the Artist. In addition to the 3000 numbered works and 50 APs (artist’s proofs) in the edition, there are 30 HCs (hors commerce) and 5 studio proofs, all of which have been produced. There are no prior or other editions, and the Artist has stated that he will not authorize additional casts of the work.

An elongated map of a specific patch of sky, The Center Is Everywhere by celebrated artist Josiah McElheny bursts with information. Though its conceptual underpinnings may elude the casual spectator, each of the work’s elements denotes a stellar corollary: the isolated crystals near the top act as single stars, globular crystal clusters signify galaxies, and the longest rods capped with lightbulbs represent distant quasars. Captivating in its lustrous sheen, the [object] obscures its astronomical origins while stoking the guileless, childlike attraction toward all that flickers and shines. (Excerpt from Taylor Walsh: Study for the Center is Everywhere)

Each of the twelve examples from this limited edition were custom-fabricated in New York City. They feature a brass canopy and more than 60 Swarovski crystals illuminated by 11 hanging bulbs. The adjustable chain allows for various ceiling heights as McElheny prefers the piece to hover 6 inches above the floor giving it a human-like scale. A signed and numbered copy of the French revolutionary Auguste Blanqui's cosmological treatise, Eternity Through the Stars: An Astronomical Hypothesis, which partially inspired McElheny, accompanies each edition. This is the first time this text has been translated from its original French into English, and is a custom-publication made for this edition.

Sol LeWitt’s Coffee table is one of the most historically significant examples of artist-designed furniture of the 20th century and relates both conceptually and visually to the artist’s body of work.

The history of Coffee table began in 1965 when LeWitt made his very first table by painting a white-lined grid on a painted grey, wooden top. Fifteen years later for a multiples exhibition at Marion Goodman Gallery, and as a “follow-up” to the 1965 example, LeWitt made the white-painted poplar Coffee table with an open grid pattern and a 3/8" glass top. The black walnut version was introduced soon thereafter.

Artware Editions works directly with The Estate of Sol LeWitt and is pleased to offer both variations of this table fabricated by the same exceptional craftsperson who worked with the artist during his celebrated lifetime.

Coffee table is accompanied by a certificate of authenticity issued by the artist’s estate. All tables are considered a custom order and fabricated upon receipt of payment. Please allow 6 – 8 weeks for the white table, and 8 – 10 weeks for the black walnut.

Sherman's pieces draw from her series of Instagram photos and create a wonderful juxtaposition between contemporary and traditional visual languages.  Opie's images were chosen for the series and play with the contrast of the light and dark of the material as it marries to the subject matter. In all, these magical works are an exceptional opportunity to collect work by two seminal artists working today.

Each cameo is carved by the artisan Gino di Luca who is a descendant of a long line of cameo-makers based in Torre del Greco, a town outside of Naples, Italy where cameos have been made for centuries.

Sherman's pieces draw from her series of Instagram photos and create a wonderful juxtaposition between contemporary and traditional visual languages.  Opie's images were chosen for the series and play with the contrast of the light and dark of the material as it marries to the subject matter. In all, these magical works are an exceptional opportunity to collect work by two seminal artists working today.

Each cameo is carved by the artisan Gino di Luca who is a descendant of a long line of cameo-makers based in Torre del Greco, a town outside of Naples, Italy where cameos have been made for centuries.

Sherman's pieces draw from her series of Instagram photos and create a wonderful juxtaposition between contemporary and traditional visual languages.  Opie's images were chosen for the series and play with the contrast of the light and dark of the material as it marries to the subject matter. In all, these magical works are an exceptional opportunity to collect work by two seminal artists working today.

Each cameo is carved by the artisan Gino di Luca who is a descendant of a long line of cameo-makers based in Torre del Greco, a town outside of Naples, Italy where cameos have been made for centuries.

Sherman's pieces draw from her series of Instagram photos and create a wonderful juxtaposition between contemporary and traditional visual languages.  Opie's images were chosen for the series and play with the contrast of the light and dark of the material as it marries to the subject matter. In all, these magical works are an exceptional opportunity to collect work by two seminal artists working today.

Each cameo is carved by the artisan Gino di Luca who is a descendant of a long line of cameo-makers based in Torre del Greco, a town outside of Naples, Italy where cameos have been made for centuries.

Sherman's pieces draw from her series of Instagram photos and create a wonderful juxtaposition between contemporary and traditional visual languages.  Opie's images were chosen for the series and play with the contrast of the light and dark of the material as it marries to the subject matter. In all, these magical works are an exceptional opportunity to collect work by two seminal artists working today.

Each cameo is carved by the artisan Gino di Luca who is a descendant of a long line of cameo-makers based in Torre del Greco, a town outside of Naples, Italy where cameos have been made for centuries.

Sherman's pieces draw from her series of Instagram photos and create a wonderful juxtaposition between contemporary and traditional visual languages.  Opie's images were chosen for the series and play with the contrast of the light and dark of the material as it marries to the subject matter. In all, these magical works are an exceptional opportunity to collect work by two seminal artists working today.

Each cameo is carved by the artisan Gino di Luca who is a descendant of a long line of cameo-makers based in Torre del Greco, a town outside of Naples, Italy where cameos have been made for centuries.

Sherman's pieces draw from her series of Instagram photos and create a wonderful juxtaposition between contemporary and traditional visual languages.  Opie's images were chosen for the series and play with the contrast of the light and dark of the material as it marries to the subject matter. In all, these magical works are an exceptional opportunity to collect work by two seminal artists working today.

Each cameo is carved by the artisan Gino di Luca who is a descendant of a long line of cameo-makers based in Torre del Greco, a town outside of Naples, Italy where cameos have been made for centuries.

Sherman's pieces draw from her series of Instagram photos and create a wonderful juxtaposition between contemporary and traditional visual languages.  Opie's images were chosen for the series and play with the contrast of the light and dark of the material as it marries to the subject matter. In all, these magical works are an exceptional opportunity to collect work by two seminal artists working today.

Each cameo is carved by the artisan Gino di Luca who is a descendant of a long line of cameo-makers based in Torre del Greco, a town outside of Naples, Italy where cameos have been made for centuries.

Sherman's pieces draw from her series of Instagram photos and create a wonderful juxtaposition between contemporary and traditional visual languages.  Opie's images were chosen for the series and play with the contrast of the light and dark of the material as it marries to the subject matter. In all, these magical works are an exceptional opportunity to collect work by two seminal artists working today.

Each cameo is carved by the artisan Gino di Luca who is a descendant of a long line of cameo-makers based in Torre del Greco, a town outside of Naples, Italy where cameos have been made for centuries.

Enjoy an iconic look for an iconic game with the collectible Andy Warhol Campbells Soup Can Chess Set. This chess set features 3-D versions of Warhol’s Campbell’s Soup Cans as chess pieces with a colored chess board complete with felt accents. Each vinyl 3-inch Campbells Soup can is labeled and printed on top with its corresponding chess piece.  The beautiful custom box makes it great for gifting, too.

From our partners at Kid Robot.

In 1985, Andy Warhol created Invisible Sculpture via performance art at the famed New York downtown nightclub Area. The concept of Invisible Sculpture was to show that the absence of something could be art. To activate the work Warhol briefly stood on a pedestal in the nightclub. He then stepped off the plinth and walked away leaving only the pedestal and a small wall label reading Andy Warhol, USA, Invisible Sculpture, Mixed Media, 1985.  Now, this performance has been recreated as a new mini diorama with a clean presentation.  The portable box closes securely and includes a handle while the minimalist styling matches the powerful aesthetic of the original performance. 

From our partners at Kid Robot.

Through the opening at the head of the phallus a distorted image of Sandro Botticelli’s Birth of Venus can be seen. Botticelli’s original image depicted the birth of Venus, the goddess of the sea, standing on a shell, the female ideal as the object of mythology and desire. Shonibare has replaced the female nude with a
photograph of a well-endowed naked male.

”I intended this piece as both playful and serious: it looks like an adult sex toy, but it is also a serious comment on patriarchy, and the objectification of the female body in the media, by what film theorist Laura Mulvey called the ‘male gaze’. KALEIDOSCOPE was meant as ‘one for the ladies’…though I think it may appeal to some Gentlemen too…’ [Yinka Shonibare MBE, 2015].

This object can also be seen as a subversive take on 19th century Victoriana, and specifically the ‘peep show’ images of women viewed through devices such as a kaleidoscope.

As with Shonibare’s celebrated work on the Fourth Plinth, ‘Nelson’s Ship in a Bottle’, ‘Kaleidoscope’ reclaims an object from a familiar British tradition and subverts it through the bold use of batik patterns and by transforming the shape into that of a phallus.

Click here to view a short video (ca. 4 min) of the artist and Iwona Blazwick, Director, Whitechapel Gallery talking about Kaleidoscope.

The full  recording (ca. 45 min) of Yinka Shonibare MBE in conversation with Iwona Blazwick, Director, Whitechapel Gallery filmed on 17 October 2014 where Kaleidoscope had its public launch is also available via this link.

From our partners at The Multiple Store

Jeff Koons playfully tests the boundaries of commerce, celebrity, banality and pleasure. In his hands even the most familiar, everyday items transcend commonality to become true icons that manifest the essence of American popular culture.

Balloon Dog is a very optimistic piece, it is a balloon that a clown would have maybe twist for you at a birthday party.  But at the same time there's the profoundness of an archaic sculpture.  The piece has an interior life while the reflective exterior surface affirms the viewer through their reflection.  - Jeff Koons

Balloon Dog (Yellow) is a limited edition work that references Koons's iconic, monumental sculpture of the same name from his highly acclaimed Celebration Series (1994) which includes five colored sculptures in red, magenta, blue, orange and yellow. The series evolved from his desire to recreate the ecstatic experiences of a child's enjoyment of the world through universal signifiers representing birthday parties and festive events.

Jeff Koons playfully tests the boundaries of commerce, celebrity, banality and pleasure. In his hands even the most familiar, everyday items transcend commonality to become true icons that manifest the essence of American popular culture.

Balloon Dog is a very optimistic piece, it is a balloon that a clown would have maybe twist for you at a birthday party.  But at the same time there's the profoundness of an archaic sculpture.  The piece has an interior life while the reflective exterior surface affirms the viewer through their reflection.  - Jeff Koons

Balloon Dog (Magenta) is a limited edition work that references Koons's iconic, monumental sculpture of the same name from his highly acclaimed Celebration Series (1994) which includes five colored sculptures in red, magenta, blue, orange and yellow. The series evolved from his desire to recreate the ecstatic experiences of a child's enjoyment of the world through universal signifiers representing birthday parties and festive events.