Bags & Totes

{"id":7936399212770,"title":"Mrs. Waldorf Astor Canvas Tote Bag","handle":"mrs-waldorf-astor-canvas-tote-bag","description":"two-sided canvas bag\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"layoutArea\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"column\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003esatin lining with Jacquard woven logo handles\u003cbr data-mce-fragment=\"1\"\u003e16 x 17 inches\u003cbr data-mce-fragment=\"1\"\u003ehandle drop length: 11 inches \u003cbr data-mce-fragment=\"1\"\u003eedition of 1000\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eobject description\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis limited edition tote bag features Kehinde Wiley’s 2012 painting '\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMrs. Waldorf Astor\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e,' reimagined from John Singer Sargent’s 1908 painting of the same title. In collaboration with Riccardo Tisci, Creative Director of Givenchy at the time, Wiley’s model is enrobed in a custom-made white dress. A nearly identical composition to its 20th century counterpart, the background is flattened with plant tendrils, entwining around the models body and into the foreground.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eProceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2022-11-04T13:01:12-04:00","created_at":"2022-10-31T12:46:15-04:00","vendor":"Artware Editions","type":"","tags":["ALL PRODUCTS","badge_End of Season Sale","Filter_Artist_Kehinde Wiley","Filter_Product Type_Accessories","Filter_Product Type_For the Body","Filter_Product Type_Gift Guide","Filter_Product Type_Gifts for Hosts","Filter_Product Type_Gifts that Give 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class=\"page\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"layoutArea\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"column\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003esatin lining with Jacquard woven logo handles\u003cbr data-mce-fragment=\"1\"\u003e16 x 17 inches\u003cbr data-mce-fragment=\"1\"\u003ehandle drop length: 11 inches \u003cbr data-mce-fragment=\"1\"\u003eedition of 1000\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eobject description\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis limited edition tote bag features Kehinde Wiley’s 2012 painting '\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMrs. Waldorf Astor\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e,' reimagined from John Singer Sargent’s 1908 painting of the same title. In collaboration with Riccardo Tisci, Creative Director of Givenchy at the time, Wiley’s model is enrobed in a custom-made white dress. A nearly identical composition to its 20th century counterpart, the background is flattened with plant tendrils, entwining around the models body and into the foreground.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eProceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":6081849819314,"title":"The China Bag (Cats \u0026 Dogs) by Ai Weiwei","handle":"the-china-bag-cats-dogs-by-ai-weiwei","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRed PVC bag with transparent inlay\u003cbr\u003e18.5 x 25.4 inches (without handles)\u003c\/span\u003e\u003cbr\u003eedition of 2,500\u003cbr\u003ecustom gift box\u003cbr\u003e\u003cbr\u003eobject description\u003cbr\u003e This limited edition tote by Ai Weiwei is both the ultimate beach-to-dinner tote and beautiful enough to frame and hang on your wall.  The bag takes its motif from a papercut created by Weiwei as part of his \u003cspan\u003e\u003cem\u003ePapercut\u003c\/em\u003e Portfolio\u003c\/span\u003e\u003cspan\u003e published in 2019.  The image is cut out of durable PVC with a transparent inlay to keep things from falling out.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUsing the traditional Chinese art of the papercut, Ai Weiwei’s \u003c\/span\u003e\u003cem\u003eCats and Dogs \u003c\/em\u003e\u003cspan\u003ereflects on a decisive period in the artist’s life and work: from his return to Beijing in 1993 after a decade-long stay in New York to building his renowned Caochangdi home and studio on the Beijing outskirts in 1999. At the center of the papercut, he gives the finger to the Forbidden City, effectively obscuring the portrait of Mao Zedong that presides over Tiananmen Square. This motif is from a 1995 photo- graph that marked the beginning of his series \u003c\/span\u003e\u003cspan\u003eStudies of Perspective, \u003c\/span\u003e\u003cspan\u003ein which his outstretched middle finger measured the Eiffel Tower, the Mona Lisa, the White House, and many other sights and non-sites around the world. Another famil- iar trope of Ai’s Beijing years was the word “FUCK,” which he sunburned into his chest for a photo piece and installed as a huge neon sign in his garden. Ai’s Chinese company is named FAKE—pronounced closely to “fuck” in Chinese. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this period, Ai developed two iconoclastic groups of works with Neolithic vases or antique Ming (1368 –1644) and Qing Dynasty (1644–1912) furniture. \u003c\/span\u003e\u003cspan\u003eHan Dynasty Urn with Coca-Cola Logo \u003c\/span\u003e\u003cspan\u003e(1994)—of which two versions can be seen in the papercut—brands a historical artifact with the trademark of contemporary capitalism. “The Coca-Cola logo is a clear announcement of property, and of cultural or political identity,” Ai says. “But it is also a clear sign to stop thinking. It’s full of ignorance, but it’s also a redefinition.” He also joined Ming and Qing Dynasty tables into sculptural permutations such as \u003c\/span\u003e\u003cspan\u003eTable with Two Legs on the Wall \u003c\/span\u003e\u003cspan\u003e(1997; upper right), \u003c\/span\u003e\u003cspan\u003eTable with Crossed Corners \u003c\/span\u003e\u003cspan\u003e(1998; lower right), \u003c\/span\u003e\u003cspan\u003eTable with Three Legs \u003c\/span\u003e\u003cspan\u003e(1998; lower left), and \u003c\/span\u003e\u003cspan\u003eTables at Right Angles \u003c\/span\u003e\u003cspan\u003e(1998; upper right). All carpentry was done using traditional mortise and tenon techniques, fitting the pieces together without nails or glue. “We took great care with the cutting and sanding to make sure the patina of the furniture looked untouched,” Ai explains. “Even an expert would be con- fused because everything is so perfect.” Among these tables, \u003c\/span\u003e\u003cspan\u003eStool \u003c\/span\u003e\u003cspan\u003e(1997; middle left) stands out as the poor cousin. It is composed of a pair of three-legged stools, ubiquitous to every Chinese household, sharing a leg. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAi Weiwei’s cats, numbering over forty, have become famous in their own right. Among other animals, including dogs, peacocks, and hedgehogs, they freely roam his studio and garden at 258 Caochangdi, and are inscrutable fixtures in thousands of selfies with visitors from all around the world. A short film, \u003c\/span\u003e\u003cspan\u003e258 Cats, \u003c\/span\u003e\u003cspan\u003ewas made about them in 2013. \u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-11-14T17:07:20-05:00","created_at":"2020-11-14T16:55:12-05:00","vendor":"Artware Editions","type":"","tags":["ALL PRODUCTS","apparel \u0026 totes","best selling","Filter_Artist_Ai Weiwei","Filter_Product Type_$100 - $500","Filter_Product Type_Accessories","Filter_Product Type_Decor","Filter_Product Type_For the Body","Filter_Product Type_Gift Guide","Filter_Product Type_New","Filter_Product Type_Summer","Filter_Product Type_TASCHEN","Filter_Product Type_Totes","Filter_Product Type_Under $500","HER","staff pick","staff picks","summer","taschen","tote","totes \u0026 accessories","Under $500","Weiwei 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handles)\u003c\/span\u003e\u003cbr\u003eedition of 2,500\u003cbr\u003ecustom gift box\u003cbr\u003e\u003cbr\u003eobject description\u003cbr\u003e This limited edition tote by Ai Weiwei is both the ultimate beach-to-dinner tote and beautiful enough to frame and hang on your wall.  The bag takes its motif from a papercut created by Weiwei as part of his \u003cspan\u003e\u003cem\u003ePapercut\u003c\/em\u003e Portfolio\u003c\/span\u003e\u003cspan\u003e published in 2019.  The image is cut out of durable PVC with a transparent inlay to keep things from falling out.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUsing the traditional Chinese art of the papercut, Ai Weiwei’s \u003c\/span\u003e\u003cem\u003eCats and Dogs \u003c\/em\u003e\u003cspan\u003ereflects on a decisive period in the artist’s life and work: from his return to Beijing in 1993 after a decade-long stay in New York to building his renowned Caochangdi home and studio on the Beijing outskirts in 1999. At the center of the papercut, he gives the finger to the Forbidden City, effectively obscuring the portrait of Mao Zedong that presides over Tiananmen Square. This motif is from a 1995 photo- graph that marked the beginning of his series \u003c\/span\u003e\u003cspan\u003eStudies of Perspective, \u003c\/span\u003e\u003cspan\u003ein which his outstretched middle finger measured the Eiffel Tower, the Mona Lisa, the White House, and many other sights and non-sites around the world. Another famil- iar trope of Ai’s Beijing years was the word “FUCK,” which he sunburned into his chest for a photo piece and installed as a huge neon sign in his garden. Ai’s Chinese company is named FAKE—pronounced closely to “fuck” in Chinese. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this period, Ai developed two iconoclastic groups of works with Neolithic vases or antique Ming (1368 –1644) and Qing Dynasty (1644–1912) furniture. \u003c\/span\u003e\u003cspan\u003eHan Dynasty Urn with Coca-Cola Logo \u003c\/span\u003e\u003cspan\u003e(1994)—of which two versions can be seen in the papercut—brands a historical artifact with the trademark of contemporary capitalism. “The Coca-Cola logo is a clear announcement of property, and of cultural or political identity,” Ai says. “But it is also a clear sign to stop thinking. It’s full of ignorance, but it’s also a redefinition.” He also joined Ming and Qing Dynasty tables into sculptural permutations such as \u003c\/span\u003e\u003cspan\u003eTable with Two Legs on the Wall \u003c\/span\u003e\u003cspan\u003e(1997; upper right), \u003c\/span\u003e\u003cspan\u003eTable with Crossed Corners \u003c\/span\u003e\u003cspan\u003e(1998; lower right), \u003c\/span\u003e\u003cspan\u003eTable with Three Legs \u003c\/span\u003e\u003cspan\u003e(1998; lower left), and \u003c\/span\u003e\u003cspan\u003eTables at Right Angles \u003c\/span\u003e\u003cspan\u003e(1998; upper right). All carpentry was done using traditional mortise and tenon techniques, fitting the pieces together without nails or glue. “We took great care with the cutting and sanding to make sure the patina of the furniture looked untouched,” Ai explains. “Even an expert would be con- fused because everything is so perfect.” Among these tables, \u003c\/span\u003e\u003cspan\u003eStool \u003c\/span\u003e\u003cspan\u003e(1997; middle left) stands out as the poor cousin. It is composed of a pair of three-legged stools, ubiquitous to every Chinese household, sharing a leg. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAi Weiwei’s cats, numbering over forty, have become famous in their own right. Among other animals, including dogs, peacocks, and hedgehogs, they freely roam his studio and garden at 258 Caochangdi, and are inscrutable fixtures in thousands of selfies with visitors from all around the world. A short film, \u003c\/span\u003e\u003cspan\u003e258 Cats, \u003c\/span\u003e\u003cspan\u003ewas made about them in 2013. \u003c\/span\u003e\u003c\/p\u003e"}

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