Shop Silk Scarves
Portrait of Two Birds (After Picabia) Scarf by Ann Craven
Portrait of Two Birds (After Picabia) Scarf by Ann Craven
This beautiful limited-edition, silk scarf by Ann Craven is based off her painting Portrait of Two Birds (After Picabia). It comes in a custom box for easy gifting or decorate your wall (or body!) with the eye-catching image.
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Ann Craven is known for her vibrant, lush, paintings that emerge from a desire to savor “the prospect of the infinite over the sanctity of the original.” Her work is bold and often depicts natural elements like birds, flowers, and trees. Craven sometimes pulls images from books and the Internet, but often works from life in her studio in Maine. Craven has exhibited at institutions including Sculpture Center, New York, Delaware Center for Contemporary Art and many more.
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Produced by the artist and Massif Central.
Straight Flush Scarf by Jonas Wood
Straight Flush Scarf by Jonas Wood
This silk and cotton blend scarf features a series of playing cards against a crisp blue background, complemented by a hand-drawn logo and signature by the artist. Each scarf comes packaged in an enamel-printed box.
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Jonas Wood is represented by David Kordansky Gallery and Gagosian. He has been the subject of solo and two-person exhibitions at the Dallas Museum of Art, Museum Voorlinden, the Netherlands (with Shio Kusaka), Lever House, New York and Hammer Museum, Los Angeles. His work is in the permanent collections of many institutions, including the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Hammer Museum, Los Angeles; Metropolitan Museum of Art, New York; San Francisco Museum of Modern Art; Guggenheim Museum, New York; The Broad, Los Angeles; Museum of Modern Art, New York; and Whitney Museum of American Art, New York. Phaidon published the first monograph dedicated to Wood’s paintings and drawings.
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Produced in an edition of 100, this scarf is Massif Central's fifth collaboration with the artist.
Untitled (Scarf) by Eddie Martinez
Untitled (Scarf) by Eddie Martinez
This beautiful limited-edition, silk-blend scarf by Eddie Martinez is based off his recent work GPBF (2022) and features a reproduction of the 21-color screen-print of a cartoonish yet eye-catching butterfly. It comes in a custom box for easy gifting, or decorate your wall (or neck!) with the vibrant image.
Eddie Martinez’s work joins together drawing, painting, abstraction and representation in non-traditional ways. His work has been the subject of solo exhibitions at museums and institutions including the Bronx Museum of the Arts, New York, the Drawing Center, New York, Yuz Museum, Shanghai, Museum of Contemporary Art Detroit, Michigan, and the Davis Museum, Wellesley, Massachusetts. His works are included in public collections such as the Saatchi Collection and Hiscox Collection, London; Colección Jumex, Mexico City; the Marciano Collection, Los Angeles; the National Gallery of Art, Washington D.C., the Pennsylvania Academy of Fine Art, Philadelphia, Morgan Library & Museum, New York; and the Davis Museum, Wellesley.
Eddie Martinez’s work joins together drawing, painting, abstraction and representation in non-traditional ways. His work has been the subject of solo exhibitions at museums and institutions including the Bronx Museum of the Arts, New York, the Drawing Center, New York, Yuz Museum, Shanghai, Museum of Contemporary Art Detroit, Michigan, and the Davis Museum, Wellesley, Massachusetts. His works are included in public collections such as the Saatchi Collection and Hiscox Collection, London; Colección Jumex, Mexico City; the Marciano Collection, Los Angeles; the National Gallery of Art, Washington D.C., the Pennsylvania Academy of Fine Art, Philadelphia, Morgan Library & Museum, New York; and the Davis Museum, Wellesley.
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Produced by our partners at Massif Central.
(Red)ition Scarf by Ed Ruscha
(Red)ition Scarf by Ed Ruscha
This limited-edition silk twill scarf by Ed Ruscha, produced by Massif Central, was released by (RED) and Gagosian. Sales directly benefit (RED), where the net proceeds raised will support the fight for equitable access to COVID relief in the world’s most vulnerable communities. Doubling the impact, the Bill & Melinda Gates Foundation will generously match every dollar raised for the Global Fund.
In 1986, Ruscha made the original drawing on which the scarf is based, inspired by a phrase he saw inscribed in stone above the entrance to the science block of Los Angeles’s storied Hollywood High School. In the current global political climate, where suspicion and demonization of science and medicine have been widespread, this prescient image has gained new resonance and topicality. In the processes of revelation in the often circuitous path toward truth, science and scientific thinking intersect with art—probing and searching intellectually and philosophically while seeking material consequences and outcomes. Like the most elegant of scientific theories, Ruscha’s images and idioms are at once irreducibly straightforward and heroically expansive.
Up So Long It Looks Like Down Scarf by Henry Gunderson
Up So Long It Looks Like Down Scarf by Henry Gunderson
This beautiful limited-edition, silk scarf by Henry Gunderson is based off his 2019 painting Up So Long It Looks Like Down. It comes in a custom box for easy gifting or decorate your wall (or body!) with the eye-catching image.
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Henry Gunderson is an American artist based in Brooklyn, New York. Originally from the San Francisco Bay Area, Gunderson received his BFA from the San Francisco Art Institute. Gunderson has had solo exhibitions at 247365 (New York), Loyal (Stockholm), Water McBeer (New York), Ever Gold (San Francisco), Carl Kostyal (London), Castiglioni (Milan), Derek Eller (New York) and has been included in numerous exhibitions in the US and abroad.
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Produced by the artist and Massif Central
Haircut Scarf by Ai Weiwei
Haircut Scarf by Ai Weiwei
The scarf takes its motif from a papercut created by Ai Weiwei as part of his Papercut Portfolio, which was published by TASCHEN in a signed and limited edition in 2019.
Using the traditional Chinese art of the papercut, Ai Weiwei’s Haircut reflects on an important event in the artist’s life and work: his participation in documenta XII in Kassel, Germany, in 2007, when he brought 1001 Chinese citizens to the city for his work Fairytale. They had responded to an open call Ai had posted on his blog, which was answered by more than 3000 applicants. He selected people belonging to every section of Chinese society including farmers, homemakers, police officers, street vendors, students, teachers, artists, and the unemployed. It was an extraordinary opportunity for many people who could otherwise never have traveled abroad—several had to apply for their first passport as a necessary condition for this “fairytale.” Ai designed clothes, suitcases, and other items especially for the participants, and—as dis- played in the papercut’s borders—also cut their hair in idiosyncratic fashion. The 1001 Chinese citizens were free to move around and do as they wished, except to leave the city; they were functioning both as spectators and part of an artwork. Their number correlated to another component of Fairytale, 1001 Ming (1368–1644) and Qing Dynasty (1644–1912) chairs that were installed in Kassel for the exhibition’s duration, shown in the upper right panel within the frame.
The Yves Klein Table
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