New!

Originally designed as a limited edition sculptural piece, cast in heavy polyurethane resin, the David Shrigley Swan has been blown up, literally. This inflatable swan may be missing the graceful curves true to a classic swan, but with its hand-drawn blank expression and erect white neck, it knows exactly what it is, it is a "Ridiculous Inflatable Swan-Thing." Named lovingly by David Shrigley himself, the statuesque swan stands at 35 inches tall and comprises all that is to love about Shrigley's charismatic work, while also being pool-ready.

From our partners at Third Drawer Down Studio. 

Our partners at The Skateroom, who collaborated with the Van Gogh Museum to make this edition, donate a significant part of their profit to support social initiatives that make the world a better place.  For each edition sold, some proceeds will be donated to support Skateistan, a non-profit that uses skateboarding and education for youth empowerment in Afghanistan, Cambodia and South Africa. 

Part of the proceeds from the sales of these gorgeous napkins goes to support Perfect Earth Project, which promotes chemical-free lawns and landscapes for the health of people, their pets and the planet. To learn more about Perfect Earth Project and all the amazing work they do, visit their website at:  www.perfectearthproject.org.

Keith Haring's tremendous influence on pop art and street art culture extends to the captivating K.Haring Angel Catchall. Haring’s instantly recognizable “Angel” symbol is press-molded into the crystal glass construction, and framed with steep, wavy walls that are perfect for housing smoking accessories and small items. This hand-polished catchall is completed with Haring’s laser-engraved signature.

The catchalls are packaged in a box that’s enriched with Haring’s artistry and signature.

Max Bill was the first director of the Ulm Design Stool which was the successor to the Bauhaus in postwar Germany. With his colleague Hans Gugelot, Bill designed this stool for use in the school and it was made by the students in wood shop. It is both light and robust and very multi-functional. It can be used as a stool, end table, side table, put side-by-side for a coffee table, or stacked as bookshelves.

"Beauty of function" and "beauty as function" were two important themes to Max Bill (1908-1994), especially evident in this collection of furniture characterized by clarity of design, simplicity, logic and economical use of materials. Max Bill studied at the Bauhaus in 1927-28 under the tutelage of Albers, Moholy-Nagy, Klee and Kandinsky. His interest in industrial design grew with the economic boom after the war, and in the importance of the appearance of things, an influence which came from the impressive talent from America. This collection is produced by WB Form, the distributor arm of the furniture store Wohnbedarf for which Max Bill designed most of these pieces. Made in Germany and Switzerland.

Boasting superior airflow and Keith Haring’s iconic artistry, the K.Haring Spoon delivers an immersive smoking experience. Durable and lightweight, this hammer-style pipe is meticulously crafted from borosilicate glass and provides extraordinary flavor. The Spoon is designed with a flat mouthpiece and a wide-rimmed base that provides a comfortable grip. The neck and base exhibit a cascade of bold, fluctuating lines and colors that arrange Haring’s vibrant presence.

The Spoon is finished with the official K.Haring logo. Housed in a box with durable walls and foam inserts, the packaging is embellished with Haring’s signature and artistry.

We are pleased to offer the Jean-Michel Basquiat Case Study Furniture® chair by Modernica. Great as a side chair, dining chair or desk chair this versatile and functional chair is ready for a lot of use.  The Fiberglass Shell Chairs were originally designed in 1948 as an entry in The Museum of Modern Art’s International Design Competition and are easily one of the most important and recognizable designs of the twentieth century. Each fiberglass shell is created by hand, one-by-one, in Modernica’s Los Angeles factory. 

The porcelain plate series by Kehinde WIley includes six designs featuring details from paintings spanning 2008-2012. The six different faces -- 3 male and 3 female -- are cropped against colorful, vibrant backgrounds so the plates are equally decorative and functional. The back of each plate has easy holes for hanging, and they are microwave and dishwasher safe.

Each coupe plate is 10.75" and shows a stamped signature on the verso. The plates are individually boxed.

Featuring details from:
Mrs. Graham (2012), oil on canvas, 30 x 24 inches
Mary Little, Later Lady Carr (2012), oil on canvas, 30 x 24 inches
Dacia Carter II (2012), oil on canvas, 30 x 24 inches
Matar Mbaye II (2008), oil on canvas, 26 x 22 inches
Idrissa Ndiaye (2008), oil on linen, 26 x 22 inches
Mame Ngagne (2008), oil on canvas, 26 x 22 inches