{"id":8406952116450,"title":"Sebastião Salgado. Kuwait. A Desert on Fire by TASCHEN","handle":"sebastiao-salgado-kuwait-a-desert-on-fire-by-taschen","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehardcover in clamshell box\u003c\/span\u003e\u003cbr\u003eboxed books: \u003cspan data-testid=\"book-details--dimensions\" data-mce-fragment=\"1\"\u003e17.7 x 16.1 in., \u003c\/span\u003e\u003cspan data-testid=\"book-details--weight\" data-mce-fragment=\"1\"\u003e22.60 lb, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e188 pages\u003c\/span\u003e\u003cbr\u003eedition of 1,000\u003cbr\u003esigned and numbered by the artist\u003cbr\u003e\u003cbr\u003eNot eligible for discounts. Please allow 10 - 14 days for shipping.\u003cbr\u003e\u003cbr\u003eobject description\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn January and February 1991, as the United States–led coalition drove Iraqi forces out of Kuwait, Saddam Hussein’s troops retaliated with an inferno. At some 700 oil wells and an unspecified number of oil-filled low-lying areas, they ignited vast, raging fires, creating one of the worst environmental disasters in living memory.\u003cbr\u003e\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003cbr\u003eAs the desperate efforts to contain and extinguish the conflagration progressed, Sebastião Salgado traveled to Kuwait to witness the crisis firsthand. The conditions were excruciating. The heat was so vicious that Salgado’s smallest lens warped. A journalist and another photographer were killed when a slick ignited as they crossed it. Sticking close to the firefighters, Salgado braved the intense danger, stench, pollution, and scorching temperatures to capture the ravaged landscape; the air choking on charred sand and soot; the blistered remains of camels; the sand littered with cluster bombs; the flames and smoke soaring to the skies, blocking out the sunlight, dwarfing the oil-soaked firefighters.\u003cbr\u003e\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003cbr\u003eThe epic monochrome pictures first appeared in \u003cem\u003eThe New York Times Magazine\u003c\/em\u003e in June 1991 and were subsequently hailed as one of the photographer’s most captivating—and courageous—bodies of work. Adding to Salgado’s roster of international accolades, the series was awarded the Oskar Barnack Award, recognizing outstanding photography on the relationship between man and the environment.\u003cbr\u003e\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003cbr\u003eThis signed and limited Collector’s Edition \u003cem\u003eKuwait: A Desert on Fire\u003c\/em\u003e is the first monograph of this astonishing collection. In grand-scale, museum-quality reproduction, it presents more than 80 images, interlaid with transparency paper, and printed with cutting-edge High Definition Skia Photography technology. This new era of photographic printing allows, for the first time, all visible elements captured by the camera to transfer to print, achieving a visible range close to the very limits of what the human eye can perceive and a new level of three-dimensionality on the page.\u003cbr\u003e\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003cbr\u003eLike a breathtaking exhibition in print, the result is at once a remarkable encounter with one of Salgado’s landmark series and a major document of global history and awareness. In its pristine quality, scale, and intensity, it serves to remind us, in the photographer’s own words, “that in the brutality of battle another such apocalypse is always just around the corner.”\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","published_at":"2024-04-17T10:17:10-04:00","created_at":"2024-04-09T12:43:59-04:00","vendor":"Taschen Sumo","type":"","tags":["Filter_Artist_Sebastiao Salgado","Filter_Product Type_Decor","Filter_Product Type_Gift Guide","Filter_Product Type_Gifts for the Serious Collector","Filter_Product Type_TASCHEN"],"price":125000,"price_min":125000,"price_max":125000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45154138783970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SALS03","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sebastião Salgado. Kuwait. 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Please allow 10 - 14 days for shipping.\u003cbr\u003e\u003cbr\u003eobject description\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn January and February 1991, as the United States–led coalition drove Iraqi forces out of Kuwait, Saddam Hussein’s troops retaliated with an inferno. At some 700 oil wells and an unspecified number of oil-filled low-lying areas, they ignited vast, raging fires, creating one of the worst environmental disasters in living memory.\u003cbr\u003e\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003cbr\u003eAs the desperate efforts to contain and extinguish the conflagration progressed, Sebastião Salgado traveled to Kuwait to witness the crisis firsthand. The conditions were excruciating. The heat was so vicious that Salgado’s smallest lens warped. A journalist and another photographer were killed when a slick ignited as they crossed it. Sticking close to the firefighters, Salgado braved the intense danger, stench, pollution, and scorching temperatures to capture the ravaged landscape; the air choking on charred sand and soot; the blistered remains of camels; the sand littered with cluster bombs; the flames and smoke soaring to the skies, blocking out the sunlight, dwarfing the oil-soaked firefighters.\u003cbr\u003e\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003cbr\u003eThe epic monochrome pictures first appeared in \u003cem\u003eThe New York Times Magazine\u003c\/em\u003e in June 1991 and were subsequently hailed as one of the photographer’s most captivating—and courageous—bodies of work. Adding to Salgado’s roster of international accolades, the series was awarded the Oskar Barnack Award, recognizing outstanding photography on the relationship between man and the environment.\u003cbr\u003e\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003cbr\u003eThis signed and limited Collector’s Edition \u003cem\u003eKuwait: A Desert on Fire\u003c\/em\u003e is the first monograph of this astonishing collection. In grand-scale, museum-quality reproduction, it presents more than 80 images, interlaid with transparency paper, and printed with cutting-edge High Definition Skia Photography technology. This new era of photographic printing allows, for the first time, all visible elements captured by the camera to transfer to print, achieving a visible range close to the very limits of what the human eye can perceive and a new level of three-dimensionality on the page.\u003cbr\u003e\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003cbr\u003eLike a breathtaking exhibition in print, the result is at once a remarkable encounter with one of Salgado’s landmark series and a major document of global history and awareness. In its pristine quality, scale, and intensity, it serves to remind us, in the photographer’s own words, “that in the brutality of battle another such apocalypse is always just around the corner.”\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e"}
{"id":8406893527266,"title":"Sebastião Salgado Gold XXL by TASCHEN","handle":"gold-xxl-by-sebastiao-salgado","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehardcover in clamshell box\u003c\/span\u003e\u003cbr\u003eboxed books: \u003cspan data-mce-fragment=\"1\"\u003e17.7 x 16.1 in., 22.38 lb, 196 pages\u003c\/span\u003e\u003cbr\u003eedition of 1,000\u003cbr\u003esigned and numbered by the artist\u003cbr\u003e\u003cbr\u003eNot eligible for discounts. Please allow 10 - 14 days for shipping.\u003cbr\u003e\u003cbr\u003eobject description\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Sebastião Salgado was finally authorized to visit Serra Pelada in September 1986, having been blocked for six years by Brazil’s military authorities, he was ill-prepared to take in the extraordinary spectacle that awaited him on this remote hilltop on the edge of the Amazon rainforest. Before him opened a vast hole, some 200 meters wide and deep, teeming with tens of thousands of barely-clothed men. Half of them carried sacks weighing up to 40 kilograms up wooden ladders, the others leaping down muddy slopes back into the cavernous maw. Their bodies and faces were the color of ochre, stained by the iron ore in the earth they had excavated.\u003cbr\u003e\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003cbr\u003eAfter gold was discovered in one of its streams in 1979, Serra Pelada evoked the long-promised El Dorado as the world’s largest open-air gold mine, employing some 50,000 diggers in appalling conditions. Today, Brazil’s wildest gold rush is merely the stuff of legend, kept alive by a few happy memories, many pained regrets—and Sebastião Salgado’s photographs.\u003cbr\u003e\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003cbr\u003eColor dominated the glossy pages of magazines when Salgado shot these images. Black and white was a risky path, but the Serra Pelada portfolio would mark a return to the grace of monochrome photography, following a tradition whose masters, from Edward Weston and Brassaï to Robert Capa and Henri Cartier-Bresson, had defined the early and mid-20th century. When Salgado’s images reached \u003cem\u003eThe New York Times Magazine\u003c\/em\u003e, something extraordinary happened: there was complete silence. “In my entire career at \u003cem\u003eThe Times\u003c\/em\u003e,” recalled photo editor Peter Howe, “I never saw editors react to any set of pictures as they did to Serra Pelada.”\u003cbr\u003e\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003cbr\u003eToday, with photography absorbed by the art world and digital manipulation, Salgado’s portfolio holds a biblical quality and projects an immediacy that makes them vividly contemporary. 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Please allow 10 - 14 days for shipping.\u003cbr\u003e\u003cbr\u003eobject description\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Sebastião Salgado was finally authorized to visit Serra Pelada in September 1986, having been blocked for six years by Brazil’s military authorities, he was ill-prepared to take in the extraordinary spectacle that awaited him on this remote hilltop on the edge of the Amazon rainforest. Before him opened a vast hole, some 200 meters wide and deep, teeming with tens of thousands of barely-clothed men. Half of them carried sacks weighing up to 40 kilograms up wooden ladders, the others leaping down muddy slopes back into the cavernous maw. Their bodies and faces were the color of ochre, stained by the iron ore in the earth they had excavated.\u003cbr\u003e\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003cbr\u003eAfter gold was discovered in one of its streams in 1979, Serra Pelada evoked the long-promised El Dorado as the world’s largest open-air gold mine, employing some 50,000 diggers in appalling conditions. Today, Brazil’s wildest gold rush is merely the stuff of legend, kept alive by a few happy memories, many pained regrets—and Sebastião Salgado’s photographs.\u003cbr\u003e\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003cbr\u003eColor dominated the glossy pages of magazines when Salgado shot these images. Black and white was a risky path, but the Serra Pelada portfolio would mark a return to the grace of monochrome photography, following a tradition whose masters, from Edward Weston and Brassaï to Robert Capa and Henri Cartier-Bresson, had defined the early and mid-20th century. When Salgado’s images reached \u003cem\u003eThe New York Times Magazine\u003c\/em\u003e, something extraordinary happened: there was complete silence. “In my entire career at \u003cem\u003eThe Times\u003c\/em\u003e,” recalled photo editor Peter Howe, “I never saw editors react to any set of pictures as they did to Serra Pelada.”\u003cbr\u003e\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003cbr\u003eToday, with photography absorbed by the art world and digital manipulation, Salgado’s portfolio holds a biblical quality and projects an immediacy that makes them vividly contemporary. The mine at Serra Pelada has been long closed, yet the intense drama of the gold rush leaps out of these images.\u003cbr\u003e\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003cbr\u003eThis signed and limited Collector’s Edition is the first monograph gathering the astonishing portfolio in full. In grand-scale, museum-quality reproductions, the images are interlaid with transparent paper and printed with cutting-edge High Definition Skia Photography technology. The result is nothing short of breathtaking, like an exhibition in book form.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e"}
{"id":6632138768562,"title":"Sebastião Salgado SUMO by TASCHEN","handle":"sebastiao-salgado-sumo-by-taschen","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eSebastião Salgado: Genesis\u003cbr\u003ehardcover, two volumes, quarter-leather bound\u003cbr\u003eCherry Wood veneer bookstand designed by Tadao Ando\u003cbr\u003esupplemental caption book\u003cbr\u003eboxed books: 18.4 x 27.6 inches, 704 pages, 123 lbs\u003cbr\u003eedition of 2,500\u003cbr\u003esigned and numbered by the artist\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #ffff00;\"\u003ePlease allow 10 - 14 business days for shipping. Delivery available in United States only; not eligible for discounts.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eobject description\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eThis two-volume SUMO-size edition is designed and edited by Lélia Wanick Salgado and numbered and signed by Sebastião Salgado. Quarter-leather bound, it is presented with a bookstand in cherry wood veneer designed by Tadao Ando and a clothbound caption book explaining each stunning shot.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003eGENESIS\u003c\/em\u003e is Salgado's love letter to the planet. It is the result of an epic eight-year expedition to rediscover the mountains, deserts, and oceans, the animals and peoples that have so far escaped the imprint of modern society—the land and life of a still pristine planet. The GENESIS project, along with the Salgados’ Instituto Terra, is dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn over 30 trips—by foot, light aircraft, boats, canoes, and even balloons, through extreme temperatures and in sometimes dangerous conditions—Salgado has created a collection of images showing us nature, animals, and indigenous peoples in such intense beauty it takes our breath away. The reach is truly global. Through Salgado’s lens, one discovers the animal species and volcanoes of the Galápagos; the penguins, sea lions, cormorants, and whales of the South Atlantic; Brazilian alligators and jaguars; and African lions, leopards, and elephants. We travel over icebergs in the Antarctic, the volcanoes of Central Africa, the ravines of the Grand Canyon, and the glaciers of Alaska. We encounter the Stone Age Korowai people of West Papua, nomadic Dinka cattle farmers in Sudan, Nenets and their reindeer herds in the Arctic Circle, as well as the Mentawai jungle communities on islands west of Sumatra.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn characteristic monochrome, Salgado’s painterly notes are perfectly tuned to these sublime scenes, capturing sweeping aerial panoramas as much as the most intricate details and textures, from a reptilian skin to the fur coat of the Nenet people of northern Siberia. 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","id":20788918517938,"position":10,"preview_image":{"aspect_ratio":1.395,"height":1176,"width":1640,"src":"\/\/artwareeditions.com\/cdn\/shop\/products\/salgado_genesis_su_gb_open_0520_0521_02613_1503121356_id_903896.jpg?v=1617982272"},"aspect_ratio":1.395,"height":1176,"media_type":"image","src":"\/\/artwareeditions.com\/cdn\/shop\/products\/salgado_genesis_su_gb_open_0520_0521_02613_1503121356_id_903896.jpg?v=1617982272","width":1640}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eSebastião Salgado: Genesis\u003cbr\u003ehardcover, two volumes, quarter-leather bound\u003cbr\u003eCherry Wood veneer bookstand designed by Tadao Ando\u003cbr\u003esupplemental caption book\u003cbr\u003eboxed books: 18.4 x 27.6 inches, 704 pages, 123 lbs\u003cbr\u003eedition of 2,500\u003cbr\u003esigned and numbered by the artist\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #ffff00;\"\u003ePlease allow 10 - 14 business days for shipping. Delivery available in United States only; not eligible for discounts.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eobject description\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eThis two-volume SUMO-size edition is designed and edited by Lélia Wanick Salgado and numbered and signed by Sebastião Salgado. Quarter-leather bound, it is presented with a bookstand in cherry wood veneer designed by Tadao Ando and a clothbound caption book explaining each stunning shot.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003eGENESIS\u003c\/em\u003e is Salgado's love letter to the planet. It is the result of an epic eight-year expedition to rediscover the mountains, deserts, and oceans, the animals and peoples that have so far escaped the imprint of modern society—the land and life of a still pristine planet. The GENESIS project, along with the Salgados’ Instituto Terra, is dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn over 30 trips—by foot, light aircraft, boats, canoes, and even balloons, through extreme temperatures and in sometimes dangerous conditions—Salgado has created a collection of images showing us nature, animals, and indigenous peoples in such intense beauty it takes our breath away. The reach is truly global. Through Salgado’s lens, one discovers the animal species and volcanoes of the Galápagos; the penguins, sea lions, cormorants, and whales of the South Atlantic; Brazilian alligators and jaguars; and African lions, leopards, and elephants. We travel over icebergs in the Antarctic, the volcanoes of Central Africa, the ravines of the Grand Canyon, and the glaciers of Alaska. We encounter the Stone Age Korowai people of West Papua, nomadic Dinka cattle farmers in Sudan, Nenets and their reindeer herds in the Arctic Circle, as well as the Mentawai jungle communities on islands west of Sumatra.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn characteristic monochrome, Salgado’s painterly notes are perfectly tuned to these sublime scenes, capturing sweeping aerial panoramas as much as the most intricate details and textures, from a reptilian skin to the fur coat of the Nenet people of northern Siberia. The exquisitely reproduced images are arranged not by theme but rather conceived as a journey around the globe, immersing them in Salgado’s vision of the Earth’s mesmerizing scale, order, and beauty.\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e"}
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